Select Create Region From Selection from the menu.It helps when working on sections if you define each of these as Regions first: It's easier to comp a part that has been worked on in sections, because the singer's vocal tone will be more consistent between the takes. If you warm them up on the easy bits before approaching the tougher material, you'll usually get more usable material per session. However, try to avoid tiring the singer with the most physically demanding sections at the start of the session. You could do several complete run‑throughs of the song, or you could record all the takes for each song section before moving on to the next. How you generate the raw vocal takes is up to you. For lead vocals, I'd go so far as to say that less than one performance in a thousand will be gripping enough to warrant appearing unedited in the master mix, so I'm going to focus on vocal comping. It takes time, but that time is amply repaid in terms of the subjective improvement in the final performance. Comping is a vital part of making commercial‑standard recordings, yet I'm frequently surprised at how little attention it appears to receive from some SOS readers. Take a razor blade to your vocal tracks and learn the art of comping in Reaper.įrom the first moment someone took a razor blade to a piece of tape music, producers have been using audio editing to put together supernaturally good performances from the best bits of several different recording takes: a process referred to as 'comping'.
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